
Christian Alvarado, Ph.D.
President's and Andrew W. Mellon Foundation Postdoctoral Fellow
African American and African Studies Department
University of California, Davis

About Me
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Interdisciplinary scholar specializing in 20th-century African Studies, history, and literature
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Research Interests including African decolonization, the cultural politics of the 20th century, and the study of conspiracism
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Teaching experience across the humanities including in the fields of interdisciplinary studies, literature, educational studies, ethnic studies, and feminist studies
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Passionate about mentoring undergraduate and graduate students, advocating for African Studies (as well as the humanities writ-large), and service to the communities of which I am a part
Profile
I am an interdisciplinary scholar of African Studies with a focus in the continent's 19th and 20th century culture, history, and literary production. I am particularly interested in the “era of decolonization,” a period spanning roughly the end of the Second World War to the mid-1970s. I work across linguistic, national, and disciplinary silos in order to better understand the continent’s embeddedness in transnational and global circuits in both the past and present. I am currently President’s and Andrew W. Mellon Foundation Postdoctoral Fellow in the African American and African Studies Department at the University of California, Davis.
A native of Las Vegas, I moved to California after completing my Bachelor’s degree at the University of Nevada in Reno. As an economics major during my undergraduate years, I was fascinated by the global dimensions of logistics, finance, and economic forces both “micro” and “macro.” It was not in my business school curriculum, however, that I found the most compelling lines of inquiry into these kinds of relationships—it was in the history classes that filled my elective requirements. Courses in Irish, Russian, American, and World history captivated me in ways that I had never experienced before. I felt called to pursue this in earnest and began the process of seeking out graduate training in historical studies. I moved to southern California in the summer of 2017, where I hoped to establish residency and apply to programs that would align with my dedication to rigorous scholarship, public engagement, and strong mentorship. I was thrilled to be accepted into the Master’s program at San Diego State University, where I was supervised by Drs. Eve Kornfeld, Edward Beasley, and William Nericcio..
These years were invigorating and exhausting ones. I worked full-time as a carpenter in order to put myself through the program at SDSU. Early mornings, long workdays, and evenings spent either in class or studying were a challenge to balance. What sustained me then, and what continues to drive me now, was the feeling I had when I came across something that changed the way I looked at the world—what I thought it was, and what I imagined it could be. Sometimes this came in the form of a text. Michel Foucault’s Discipline and Punish, V.Y. Mudimbe’s Idea of Africa, and a trove of books about the history of the University of Ibadan in Nigeria all realigned my thinking during this period. But it was also the community of scholars, mentors, and colleagues I was fortunate enough to be in contact with that had this effect on me. Challenging conversations, self-reflection in response to the views of my peers, and the patience and generosity of others; these things changed the way I looked at the world more than any text. They remain at the core of my commitment to academic work, care in the process of knowledge production, and service to the communities I am a part of.
The interdisciplinary inclinations of my Master’s work led me to pursue doctoral studies in the History of Consciousness Department at UC Santa Cruz. A bastion of innovative scholarship since its inception, HistCon has always been a place of liminal exchange and navigation. Some of its scholars work at the boundaries or on the fringes of established fields—others participate in the formation of new ones entirely. During my time there, the department was a space where I felt free to probe unconventional questions and lines of inquiry in the study of Africa and its cultural politics, examine theoretical approaches to the semiotic dimensions of historical studies, and consider what it means to participate in the fields that comprise African Studies today. My advanced coursework in African Studies, History, Literature, and Cultural Studies allowed me to establish a generative foundation for my work. So did the ability to study languages in an institutional setting, a privilege that I latched onto with zeal. But again, it was the people that I was surrounded by that taught me the most. My advisors had disciplinary anchors in a range of fields: Eric Porter in HistCon and American Studies, Gina Dent in Feminist Studies, Marc Matera and Myles Osborne in British and African History. Each taught me not only how to be a better scholar and produce rigorous work, but what it looked like to be a generous mentor, a careful reader, and an advocate for others—values I intend to carry forward as I move into the next phase of my career.
Education
2017–2023
Ph.D., History of Consciousness
Designated Emphasis in Critical Race and Ethnic Studies
University of California, Santa Cruz
2014–2017
Master of Arts, History
San Diego State University
2009–2013
Bachelor of Science, Economics
University of Nevada, Reno
Recent Experience
2024-Present
Book Review Editor
African Studies Review
2024
Delegate of the African Studies Association
Humanities Advocacy Day, Washington DC
National Humanities Alliance
2023-Present
Co-Chair, Global Memories Working Group
Memory Studies Association
2023
Local Arrangements Committee
African Studies Association
2022-2023
Graduate Council
UC Santa Cruz Academic Senate
Research
My research interests lie in the study of African decolonization, unorthodox sites of global connectivity, and the (re)production and circulation of tropes. My current book project (‘The Storm in Kenya’: Mau Mau and the End of Empire) attempts a novel form of engaging historically with the event most commonly known as the “Mau Mau Uprising” in late-colonial Kenya, a “State of Emergency” that facilitated the end of British rule in the colony and occupied the bulk of the 1950s. A large body of work exists that examines the political and economic origins of anticolonial resistance in the colony, the operations of the British counter-insurgency, and the legacy of each of these for post-independence Kenyan society. In distinction to these orthodox approaches to the study of Mau Mau, I focus on how this event came to be understood in other parts of the African continent, Europe, and the Americas, as well as how understandings of it are embedded in even broader networks and knowledge systems (including academic disciplines themselves).
To do this, The Storm in Kenya analyzes a diverse body of source material drawn from archival collections in Kenya, Great Britain, South Africa, Portugal, France, the United States, and elsewhere. In centering how readings of Mau Mau emerge in diverse communities and systems of thought (as well as the ways in which it is itself a composite of pre-existing tropes, concepts, and analogies), Mau Mau operates in my work as a lens through which we can see such things as the production of logics of difference and similitude, shifting global formations of race, and the ethics of violence in both colonial and anticolonial thought. Put otherwise, I reconstruct visions and understandings of Mau Mau in order to show how this event came to influence debates and political imaginaries both in other parts of the African continent and the wider world—visions which often compete against, or overlap with, one another, and which tell us a great deal about the intellectual cultures of decolonization.
Beyond The Storm in Kenya, my broader publication record reflects the breadth of my scholarly interests. I am the author of several independent pieces of scholarship in academic journals and books spanning the fields of literary criticism, history, memory studies, and historiography. My most recent publication—“On Reading Mau Mau”— examines literary production in Kenya, South Africa, and the United States in order to examine the ways in which Mau Mau functioned as an historical trope across bodies of work that span the globe. And in History in Africa, my article “Mau Mau as Method” challenges perceptions of a current “archival impasse” in the historiography of Mau Mau, and argues that understanding its contemporary ramifications in popular and scholarly intellectual history are much wider than is generally assumed. Each of the pieces of freestanding scholarship that I have produced have not only helped to inform and develop my thinking in relation to The Storm in Kenya, but contribute to a variety of other pressing debates and conversations in African Studies.
During my time so far as a UC President’s Postdoctoral Fellow, I have also begun initial research and writing on two additional research projects. Inspired in part by paths not taken in my work on my book manuscript, emerging threads in my research agenda include article-length pieces about the cultural influence of South African apartheid across the continent, as well as the politics and discourses of Luso-African decolonization. I am also immersed in the early stages of a book-length study regarding the history of conspiracism and conspiracy theories in the 20th century as they pertain to major geopolitical events in Africa. This project seeks to understand the role conspiracist thought played in shaping understandings of movements for African decolonization both on the continent itself and far beyond its shores. As different as they are, each of these new research threads shares an interest in forms of connectivity and exchange often neglected by orthodox historical lines of inquiry.
Publications
Forthcoming
(2024) “‘Ghosts at the Banquet’: Mau Mau and Global Memory,” in Kritika Kultura, Special Issue on “Decolonizing the Study of Memory.”
Peer Reviewed Publications (click title to visit webpage)
(2022) “On Reading Mau Mau,” in Cambridge Journal of Postcolonial Literary Inquiry (Cambridge, UK: Cambridge University Press), Vol. 9, Iss. 3.
(2022) “Mau Mau as Method,” in History in Africa (Cambridge, UK: Cambridge University Press), Vol. 49.
(2021) “‘In the Spirit of Harambee’: Kenyan Student Unions in the German Democratic Republic and Yugoslavia, 1964-68,” in Socialist Encounters: Relations, Transfers and Exchanges between Africa and East Germany (Berlin: DeGruyter).
Works in Progress
“The Storm in Kenya”: Mau Mau and the End of Empire (Book Manuscript)
Mau-mauìsmo, Race Relations, and the Beginning of the End of the Portuguese Empire” (Journal Article)
Awards & Grants
SELECTED (please see CV for detailed record)
University of California, Davis
President’s and Andrew W. Mellon Foundation Postdoctoral Fellow (2023 - 2025)
University of California, Santa Cruz
American Council of Learned Societies Dissertation Completion Fellow (2022 - 2023)
Peer Mentor, Graduate Student Success Program (2021 - 2023)
Hayden White Fellow in Historical and Cultural Theory (2021)
Humanities Institute Summer Dissertation Fellow (2020)
Social Science Research Council Dissertation Development Program (2019)
Center for Archival Research and Training Fellow (2019)
Eugene V. Cota Robles Fellow (2017 - 2019, 2021 - 2022)